← Apex Mountain

Everything Everywhere All at Once

2022 · directed by Daniel Scheinert and Daniel Kwan · 140 min
26,295 feet · Prominence
194th of 24,106 films scored
Not coveredThe 194th highest film on the mountain, and The Rewatchables has never done it.

How this film scores

Draw58

Lifetime worldwide gross $139m, re-releases included; about $157m in 2026 money.

Rank2,099 of 11,051In 202228 of 231

How Draw works

Inflation-adjusted worldwide box office, on one global curve, and nothing else. It does not know whether a film was good.

Praise93

Awards claim half the headroom above the critics' score.

Critics87 baseAwards99 signal → +6 lift

Oscars7 won Picture, Director, Actress, Supporting Actor, Supporting Actress, Original Screenplay, Film Editing2 nominated Costume Design, Original Score
Golden Globes2 won Actress, Supporting Actor4 nominated Motion Picture, Director, Supporting Actress, Screenplay
BAFTAs1 won Craft and other6 nominated Best Picture, Directing, Lead acting, Supporting acting, Screenplay, Craft and other
How Praise works

Critics set the score; a tiered award record, Picture and Directing carrying the most weight, claims half the headroom above it. Praise is the verdict at the time; Legacy is the verdict since.

Legacy74

Judged directly: Oscar sweep; everything bagel, multiverse discourse.

Verdict74 of 100IMDb7.7 from 627kWikipedia0k views a monthAge4 years

Scored beside it · 214 of 4,039 films judged
74Sinners (2025)
74Deliverance (1972)
74Minority Report (2002)
74Interstellar (2014)
74Star Wars: Episode III - Revenge of the Sith (2005)
74Ocean's Eleven (2001)
74Everything Everywhere All at Once (2022)

If it does not belong in this company, the number is wrong.

How Legacy works

Legacy is a judgment, not a formula. A film can be adored by critics and culturally quiet, or lightly reviewed and permanently lodged in the culture, and no arithmetic over IMDb numbers tells the difference. Every signal behind it keeps updating.

draw 58 praise 93 legacy 74averages 75, placing it at26,295 ft
How the three become one number

Added, not multiplied, so a film transcendent on one pillar and weak on another is not zeroed out. A compression curve then squeezes the top, because the seven greatest films ever made should not be four thousand feet apart.

Whose apex this is

▲ Michelle Yeoh▲ Stephanie Hsu

In these careers — elevation for this film

Ke Huy Quan20,416 ftMichelle Yeoh20,416 ftJamie Lee Curtis19,516 ftStephanie Hsu19,469 ftJames Hong18,127 ftJenny Slate17,719 ft