
$3m worldwide in 1967 — $32m in today's money.
As released$3mIn 2026 money$32mRank4,516 of 8,589In 196723 of 29
Inflation-adjusted worldwide box office, on one global curve, and nothing else. It does not know whether a film was good.
Critics 90, awards 0. Half each, so Praise lands at 90.
Critics90 → 45Awards0 → 0
No award rows on file. The awards pass reads Wikidata, which is thin for older and non-English films, so an empty ledger is usually missing data rather than an absence of honours.
Half critics, half a tiered award record where Picture and Directing carry most of the weight. Praise is the verdict at the time; Legacy is the verdict since. This film is near critically unanimous and barely registers on awards, so the awards half halves it — which penalises it for the Academy's rules rather than its quality.
Judged directly: Influential cool noir, cinephile respect.
Verdict52 of 100IMDb7.3 from 25kWikipedia18k views a monthAge59 years
If it does not belong in this company, the number is wrong.
Legacy is a judgment, not a formula. A film can be adored by critics and culturally quiet, or lightly reviewed and permanently lodged in the culture, and no arithmetic over IMDb numbers tells the difference. Every signal behind it keeps updating.
Added, not multiplied, so a film transcendent on one pillar and weak on another is not zeroed out. A compression curve then squeezes the top, because the seven greatest films ever made should not be four thousand feet apart.
No scored career runs through this film yet. The people-side engine currently covers 108careers, and this film’s cast sits outside them. Top billing: Lee Marvin, Angie Dickinson, John Vernon, Keenan Wynn.